|
A Continent Apart
The Clandestine
Courtship of
Lt. C.E.S. Wood & Miss Nan Smith
Letter Transcriptions & Commentary by Mary Rose
FOREWORD
The collection of letters shared on
this site is the stormy record of a secret engagement filled with longings and
betrayals, family intrusions, and the 19th Century stirrings of 20th
Century beliefs. A Victorian love story told through the exchange of letters
between a young army officer and a social debutante, it runs the gamut of human
passion, stubborn relationships, military portrayals and social denial. In the lovers’
West Point days of togetherness, the air sizzled with romance and adventure – in
tune with the swirling melodies of Strauss waltzes and the entertaining new
marches of John Philip Souza. Their secret collaboration became a struggle to
express art, poetry and prose with emotion and honesty. Their thoughts
reflected conflict, racial tension and the reactions of children who have known
war. In six years of courtship and four years of separation, the letters are
rife with foolish teasing, morose despair, and the unsettling dimensions of
acculturation and change. This is an experimental study – expanding and
exploring ideas and sometimes trivialities – little tantrums of history that
beg to be seen. It is a tale of two coasts – East and West – during a period of
expansion West and revitalization in the East.
Even by today’s standards, Wood and Nan shared little in
common, except to be children of physicians. Their family backgrounds ran on
divergent courses. Nan had no siblings and was orphaned by age twelve. Raised
by a doting and indulgent stepfather, her girlhood was sprinkled with frequent
visits to grandparents in Baltimore and at Atamasco in Maryland. Even as a
young teen, she drove her sporty phaeton with a youngster servant, dressed in
flamboyant livery, hanging on at the back for dear life over the country roads
of Maryland and city streets of Washington, D.C. Nan was Roman Catholic in an
age of growing resentment and skepticism about the Pope and his followers in
America, but she maintained an extraordinary independence that was somewhat
underappreciated by the headstrong young woman.
On the list of contrasts – and there were many – Wood was
one of six sons and three daughters born to his father through two marriages.
His father’s naval career peaked before the Civil War and retirement was not economically
pleasant for the now landlocked former surgeon general of the U.S. Navy. As the
second oldest son and the fourth oldest child, Wood was familiar with
competition and compromise. He was expected to help monetarily support the
education of his younger brothers, taking his responsibility seriously.
But opposites attract, and when Nan and Wood fell deeply in
love in the spring of 1873, neither was in a position to foreswear all family
objections or to independently support a marriage financially or otherwise.
Wood was Protestant, or perhaps already agnostic, and disdained Nan’s Roman
Catholic beliefs. Nan enjoyed a lively circle of friends that eventually and
awkwardly included Wood’s older brother Max and his fiancée Jeannie West.
Guardedly, Nan wore a simple gold ring on her left hand -- a gift and a symbol
of Wood’s pledge but she dared tell no one of their trysts or secret affair. If
once there were letters from other suitors during this time, none are known to
have survived. Their engagement soon grew into a relationship of unresolved
issues and disappointed dreams.
The Lovers
Nannie Moale Smith was Wood’s youthful strength and
forbearance -- his constant but sometimes blinded lover. She was not his muse
or his inspiration, nor was she his mentor in the arts. Nan was a talented
pianist, seamstress and designer, and a gifted thespian for society
entertainments. Going against Victorian fashion, Wood was a rebel seeking to
know Nan Smith for the woman she was and who she would become. He lectured her
to improve her mind and ignore trifling novels. He urged her to read the great
annals of literature and discuss them with him in her letters. But in her
correspondence, Nan did not encourage Wood’s talents or even his pursuit of
artistic success, and she was not his critic. In fact, her letters seem to
ignore his frustrations with painting and writing. As the engagement
progressed, Nan quietly contacted her uncles and an attorney, hoping to
liquidate her inheritance and create a sizeable dowry that might at least
supplement a lieutenant’s income, and she hoped it would pay for a trip to
Europe and the international art shows in France. It was Nan who carefully
collected the lieutenant’s letters, numbering them in the order received, and
vowing to keep them until one day when they were married, they would read them
together. This is evidenced by the fact that many more of Wood’s letters than
of Nan’s were preserved.
Both correspondents were incorrigible flirts and readily
admitted to it. At sixteen, Nan stubbornly declared that she was interested
only in gentlemen and officers of high rank, those men who deeply appreciated
the attentions and willing devotion of pretty young ladies of high social and
moral standing. Nannie was a vivacious brunette raised in the Capital’s finest
school for young ladies and the Roman Catholic Church. Nan’s memoir, written
near the end of her life, recounted the charmed days she spent with Wood and the
glamour and flash of growing up in Washington, D.C. and Baltimore at the end of
the Civil War. She glossed over some of the most challenging times, which these
letters all too often revealed. She was content to surround herself with
attentive suitors and the day-to-day obligations of running a household for a widowed
stepfather.
Wood commanded a bevy of beautiful young women attracted by
his handsome demeanor and endless repertoire of entertaining stories. He idled
his time at the Military Academy reading the works of William Shakespeare and
discussing fine art with West Point’s prestigious instructor Robert Weir. Weir had two pretty daughters who
entertained Wood’s talents and ambitions, too, but the cadet was hoping to snag
a wealthy bride, not necessarily a social belle. He needed a handsome dowry
that would allow him and his bride to forget about money and the military. He
believed financial security would help him develop his poetry, prose and
painting skills without practical or mundane interruptions. All of his talented
exertions left little energy for chemistry or algebraic equations at the
Academy.
In the 1870’s there was no shortage of marriageable women.
Due to President U.S. Grant’s immense popularity and his Military Academy
graduate friends, West Point was a magnet for “summering” and flirting with
young cadets. For girls hoping to marry, the decade was a highly competitive
time because of the dearth of eligible bachelors. It was the decade following the
deadliest war in American history, over 600,000 people lost their lives and
many of them were men under the age of thirty. Disease and poor nourishment, battles
and destruction, took a horrendous toll on children as well as adults. At the
end of the War, thousands of men headed west seeking a future. Many of those
men never married.
Wood and Nan entered adulthood at a time when the nation was
only beginning to recoup its financial bearings and the work force remained
sorely depleted of young men. The U.S. Army now faced the serious challenge of
spanning the North American continent from ocean to ocean and protecting all of
its inhabitants, hostile or friendly. In the aftermath of war and its intense
demands, as well as the ever potent political strain in a country ravaged by
fear and greed, women as well as men turned to jobs in industry, medicine, and
revealed their talents in the published world. The successful writings of
Harriet Beecher Stowe and Louisa May Alcott not only strengthened the
acceptance of women writers like Sarah Orne Jewett, but they served as
encouragement to unknown male writers like Wood. Wood was the son of a popular
non-fiction author Dr. William Maxwell Wood who discouraged his son’s writing
ambitions because he felt they would never provide financial security.
Upon graduation from West Point, Wood received his first
posting and departed for Camp Bidwell, California, in early December 1874.
Travelling nearly two weeks by rail and then, the last 600 miles by rude wagon
road in an army ambulance, Wood was introduced to his fellow officers, all
veterans of the Modoc War (1872). The living conditions were rustic – the beans
and hay of army life. He did not hate it; he did not like it, but he was damned
lonely in the between.
Wood and Nan were children of war. Born in 1852 and 1856
respectively, both were old enough during the Civil War to understand the fear
and hardships faced by every family in the United States, North and South. Each
was raised in a family with African American servants who were once slaves, and
as is often true, youthful impressions and attitudes were cemented for life.
Mechanics of Letter Writing
The most significant impact on the era was the expansion of
the railroads. Crossing the nation on regular schedules, establishing time
zones, delivering people, goods and services (much of it U.S. Army related in
the 1870’s out West), and most importantly displacing thousands of Native
Americans, the development of the railroad held significant influence on C.E.S.
Wood’s military career and his courtship of Nan Smith. Undoubtedly, these
lovers never knew it.
Most of us enjoy reading letters, and reading other people’s
mail more than one hundred thirty years after it was written may be a nostalgic
activity indeed. I knew the history of the C.E.S. Wood family, and particularly
the earliest years of U.S. Army connections so I was genuinely elated with the
prospects of meeting old historical “friends” on the handwritten pages created
so many years ago. Here was an opportunity to read about the officers and their
families, the Native Americans as they met with first impressions from Alaska
to Montana, and the communities and lifestyles they experienced. Correspondence
is rarely what one anticipates, but often it exceeds the limits of the
historian’s imagination. This collection of old letters shared by two archival
institutions is nothing short of astounding.
Early on, this project was
envisioned as a study of Wood’s military connections as well as the evolving
personal relationship with his secret fiancée, but it is hoped that other
valuable research may result from these transcriptions. Military records
predating typewriters required legible penmanship and accurate spelling. Wood’s
handwriting fell just short of elegant but Nan’s was atrocious. In fact, she
often pitied her lover for having to decipher her words. The majority of their
letters were written horizontally in the accustomed manner, running on for
seven or eight pages front and back on folded, linen-laid stationery. The
writer would then turn the pages and write vertically across the existing
script for the same number of pages, front and back.
Remarks
With the phenomenal patience and kind assistance of Paul
Merchant, Archivist of the William Stafford Collection at Lewis & Clark
College, Portland, Oregon, and the wonderful, sustaining encouragement of
friends and family, I have transcribed all of the letters in the Lewis &
Clark special collection that were exchanged between Charles Erskine Scott Wood
and Nan Moale Smith from 1872 -1879. These letters will be shared on this
website thanks to the generous cooperation of Lewis & Clark College,
Special Collections. I take full personal responsibility for the transcriptions
but permission to use the letters (transcriptions or original form) should be
sought from Lewis & Clark College. Additionally, I transcribed letters from
The Huntington Library exchanged by the two lovers during the same period of
time, but for now, those letters will be used for research only. It remains a
mystery why Nan’s collection of letters was ever divided. The Lewis & Clark
Wood Collection was stored in the attic of son Erskine Wood’s home in
Vancouver, WA, until given to that college in 2005. Other letters consulted from
this period were a part of the C.E.S. Wood and Sara Bard Field Collection given
to The Huntington Library, San Marino, California, in the 1960s.
Working with the letters from both institutions was a
challenging task. Having edited several journals and published memoirs and
biographies I found the youthful energy of these writers’ to be exceptional.
They ran a cataclysmic array of emotions, reeling from happiness or drenched in
maudlin anguish and despair. Life moved quickly and even in illness or boredom,
they had no time to deal with details or to over philosophize the consequences
of the day. The key to understanding many of the letters was found in Nan’s
scrapbooks filled with clippings and quips as the days of separation turned
into months and then into years. Wood tended to bare his soul in his correspondence
while his secret fiancée was the epitome of emotional guardedness, projecting a
steady image of propriety and perfection of womanhood that smothered spontaneity
and protected private thoughts even from herself. Nan was no Pollyanna, but she
was the essence of a virtuous and headstrong Victorian woman. Her strength of character matched
Wood’s willfulness. Nan was delightfully well educated, spoke fluent French and
was comfortably connected with the finest social and international circles of
Baltimore, Washington, D.C., and later, Troy, New York.
One major conundrum of this research was to resolve the
issue of the spelling of Nan’s name.
In the 19th Century, common nicknames for “Anne” were “Nan,”
“Nancy,” and “Nanny.” Nan’s mother’s name was “Anne,” and an early letter
written to her daughter as well as a later document from Nan’s attorney also
addresses the young lady as “Annie.” [Letter L&C 1-1 appears in the
Appendix of fully transcribed letters.] A
newspaper clipping carefully described a formal ball given in the home of one
of Nan’s close friends, and it addressed her formally as “Miss Anne Moale
Smith.” In all of the letters written to her by C.E.S. Wood and signed by
her when written to him, her name was spelled “Nannie.” Her biographer
Philip Leon (Nanny Wood: From Washington Belle to Portland's Grande Dame Heritage
Books, 2003) suggests that Wood affectionately misspelled her name, but even
the scrapbook clippings from that era refer to her only as “Nannie” or “Nan.” Leon
had no knowledge of these letters or scrapbooks when he wrote Nanny’s biography
in 2003. They were as yet unseen and unread. The author is correct in spelling
her name consistently throughout his book as “Nanny,” because that is the
spelling in her memoir (written in the 1930s) and as it appears on her grave.
Her son Erskine, also spelled her name “Nanny” in the biography of his father [Life
of Charles Erskine Scott Wood: A Renaissance Man (Vancouver, Washington:
Rose Wind Press, 1991)]. With that in mind, the fact remains that all of the
correspondence in each of the collections of letters dating to the early 1870’s
spell her name as “Nannie,” and it is preserved as spelled in the originals
here. It should be noted that
Nan’s cousin Fannie Gibbon was the daughter of “Fanny” Gibbon. One wonders if
it was the practice of the day to change the spelling as you reached maturity
and passed your name to a daughter. Nan’s daughter Nan Wood was born at West
Point in 1881, and perhaps at that time “Nannie” converted the spelling to
“Nanny” to signify that her little daughter was now mistress “Nannie.”
Charles Erskine Scott Wood was also at a loss to spell his
name or acknowledge himself satisfactorily. The letters are signed “E.W.”,
“Ern,” “Ersk,” and the Military Academy refers to him as “Charles” and
“Scottie.” His mother’s endearment was “Erskie” and his paintings were usually
(but not always) signed “C.E.S. Wood.” It was not unusual for a young person to
scrutinize his or her name, but we cannot be sure that only one name won out
over the rest. None of Wood’s sons were called “Charles” or “Scott” so he might
have dismissed the usage of those names early on. Wood also used several pseudonyms
for published articles mostly those dating to his later career as an attorney.
Remarks on Editing
At the conclusion of each chapter and as more letters are
introduced to the text, those letters preserved in the Lewis & Clark
Archival Collection will be presented independently and in addition to the
commentary in full transcription. This may be found under the heading “Letter
Transcriptions.” Occasionally, the letters were excerpted due to length and
redundancy. With the time lapse between letters and their infrequent delivery,
the lovers repeated information as they explored a mutual theme or expanded a
topic or incident mentioned in previous exchanges. To ensure that the reader or
researcher receives the full advantage of the text, the complete transcriptions
are presented separately and footnoted for research purposes.
Letters drawn for research from The Huntington Library collection
will not be presented in full transcription, but are quoted and cited only.
Since these letters and commentary are not available in book
form, please visit our website to check for more chapters as they are added in
the coming weeks of 2011.
Please also visit our blog for snippets of “residual”
research that support a discussion of the people and subjects mentioned on this
website. The blog address is acontinentapart.blogspot.com.
Bibliography
A continuing
bibliography link will build as chapters and letters are added to the website.
In addition to the numerous published writings of Charles
Erskine Scott Wood, these are excellent resources:
▪
George Venn, Soldier to Advocate: C.E.S.
Wood's 1877 Legacy (La Grande: Wordcraft of Oregon, LLC, 2006) ISBN 1-877655-48-1
▪
Robert Hamburger, Two Rooms: The Life of
Charles Erskine Scott Wood (Lincoln: University of Nebraska Press, 1998) ISBN 0-8032-7315-0
▪
Edwin Bingham and Tim Barnes (eds.), Wood
Works: The Life and Writings of Charles Erskine Scott Wood (Corvallis:
Oregon Sate University Press, 1997) ISBN 0-87071-397-3
▪
Edwin R. Bingham, et al., (eds.), Charles
Erskine Scott Wood (Boise, Idaho: Boise State University, 1990) available online via Western Writers Series Digital
Editions ISBN 0-88430-093-5
▪
Philip W. Leon Nanny Wood: From
Washington Belle to Portland's Grande Dame (Heritage Books, 2003)
▪
Erskine Wood, Life of Charles Erskine Scott Wood: A
Renaissance Man (Vancouver, Washington: Rose Wind Press, 1991) ISBN 0-9631232-0-3
Acknowledgements
Lewis & Clark Special Collections Please view their
website for many of the paintings and family albums of C.E.S. Wood: http://digitalcollections.lclark.edu/
The Huntington Library in San Marino, California. C.E.S. Wood and Sara Bard Field Collection.
Thomas Brewster and Woody Thomas -- grand nephews of C.E.S.
Wood who have often helped fill in the gaps of the family tree. Tom, whose
endless patience with my questions has been a rock.
I thank Von Hardesty for his writing and research
suggestions, Philip Leon for his knowledge of Nan Smith and her family, Paul
Merchant for his endless hours of good ideas, archival assistance and
encouragement, and Alex Rose and Galena and David Rhoades for kind-hearted
patience with their mother and mother-in-law as she waved hours of what must
have been agonizing details of the lives of people they have never known and
are not even related to … expecting them to jump in like shipwrecked mariners
eager to receive fresh historical “news.”
|